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Tony

Tony Scherr

Biography | Releases | Press


Biography

Since coming to New York in the 80s, Tony Scherr has become one of the city's most prolific and in-demand sidemen, playing itegral roles in the music of such notable artists as Bill Frisell, John Lurie (Lounge Lizards), Steve Bernstein (Sex Mob), and Norah Jones, as well as some of New York's better-kept secrets, such as Jesse Harris and the Ferdinandos, The Wollesens, Ursa Minor, and Slowpoke. Tony has recorded most of these latter artists at his Brooklyn home studio, helping to foster and document a tight-knit, intimate scene of players who are as skilled and daring as they are broadminded and modest.

Originally hailing from New Haven, CT, Tony played rock guitar in a garage band with his brother Peter as teens, before the two went their seperate ways -- Peter to become a concert bassist and film composer, and Tony to slug it out in the clubs of New York, ironically as primarily a bassist himself. His debut album Come Around is a reunion of sorts, between the two brothers, between Tony and the electric guitar, and between the brothers and the rock/song idiom. The lyrical content in particular also charts a deeply personal journey, documenting a process of overcoming catastrophe and a renewed faith in the healing power of music. Above all else, the album serves as a message of hope.


Releases
Twist in the Wind

Twist in the Wind
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    Tony's second solo recording on SLR. 13 songs featuring brother Peter Scherr (string bass), Kenny Wolleson (drums) and Chris Brown (organ) with appearances by Michelle Casillas (Ursa Minor) + Bill Frisell.



    Come Around
    Come Around
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    1. Luck In Your Eye
    2. Stuck It Out
    3. In My Hands
    4. What Kind of Friend Are You
    5. Food For News
    6. Come Around
    7. Goodbye
    8. Poor Katy's Car
    9. What Am I Now
    10. Almost Believe in Everything
    11. Sacramento
    12. Are You My Friend

    Recorded in a mere three days in Tony's home studio, Come Around has the intimate, intuitive, one-take atmosphere that only the closest-knit group of muscian/friends can achieve -- a precisely executed yet still spontaneous sound. Erstwhile drummer Kenny Wollesen, is supremely subtle and supportive, providing a superb backbone for Chris Brown's unfurling Hammond licks and the serpentine chimes of Tony's guitar. Tony's brother Peter rounds out the core group on string bass. Throw in the contributions of cellist Jane Scarpantoni (Tricky, Beastie Boys, REM) and Bill Frisell and you have a cast that can literally, legitimately be called world class. All of the extended concepts and techniques gleaned from Tony's work in the more adventurous corners of the NY music scene are here, but deployed in service of a stunningly fine-tuned pop sense. Scherr is able to capture that rarest of vibes -- music that references genres (country, rock, soul, blues, and jazz are all there) implicitly, and thus manages to sound utterly un-derivative. Tunes such as Stuck it Out; the Gram-worthy In My Hands; Sacramento, a lilting lullabye for avant-banjo; and the standout title track -- like Dinosaur in a dogfight with Tom Petty's Heartbreakers -- should be hits in any universe. Tony Scherr- Voice, Guitar / Peter Scherr - String Bass / Kenny Wollesen - Drums / Chris Brown - Hammond Organ




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    Press

    Playboy: "Tony Scherr plays bass in Sex Mob, a jazz band. But his solo CD...is more like country than bebop. His guitar playing and laid-back singing are haunting, and his songwriting stads out."

    Splendid: "...a record that could easily have gotten lost in the shuffle -- not flashy at all, but well-done, heartfelt and true. It's the kind of music we need in troubled times, and we are lucky to have it."[read more]

    Entertainment Today: "...pushes the renowned supporting actor into a much-deserved spotlight." [read more]

    Dusted Magazine: "...solid and undoubtedly well-performed. The players are strong, and they know when to lay back, then to step forward. Scherr's slide guitar on "In My Hands" is marvelous, and his vocals are as pure as a countrified tune like it needs." [read more]

    Illinois Times: "Fantastic solo debut from this bassist for Norah Jones and the Lounge Lizards, easygoing and fragile in a smoky slow motion style that's reminiscent of a soft Beck buzzing over Tom Verlaine"

    SYR SLR